- Untouchable by Stimulator
- Let Me On by Jessie Evans
- Choose The Girl by Sleepmask
- Cairo Cairo by Shawn Lee
- In My Blood by Star & Dagger
- Culbutos by Djizoes
- West Wham by KB
- We Are by Digging Roots
- Run 2 U by Shawn Michael Perry
- Come Home by Marquis Canaan Da Lion
- Dog Star (Fly On) by Blackbyrd McKnight w/ G. Clinton and P-Funk
- Technopia by MASK
- Slave by Sleepmask
- Love Conquers All by Scott Katsura
- Blood & Silver by Jessie Evans
- Got me Like by Marquis Canaan Da Lion
- Beautiful Mess by Grace Askew
- Come on Home by Indigenous
- Waiting by The Rage
- Honest Opinion by UAF - Feat. Eric McFadden
- Crosswind by Mo'Fone
- Forever by Shawn Michael Perry
- Going Down by Robe
- Class Magic by Jessie Evans
- Teardrop by Alessia Ippoliti
- Pretty Girl / Vinyl Ver. by Zuru Vogue
- No Tomorrow by Jessica Will
- Vision by HTP
- Traffick by Troy
- Fast Track by Spinoza
- What Do by Go Indi (Indigo)
- Piano Sonata #3 by P. D. Witter w/Fred Horowitz, piano
- Breathing (Instrumental Ver) by KB
- Flower Lei by Scott Katsura
- I Feel Love by ElectroSexual & Sunday Luv
- Need Your Love by Robe
- Kool by Mo'Fone
- The Machine by Djizoes
- Mosquito's Buzz by KB
- I'm Good To Me by Go Indi (Indigo)
- Life String by Scouts Honor
- The Shower Song by Kent Brown
- Bounce by Broun Fellinis
- Kick It With Me Now by Blackwash
- Wat It Is. (explicit) by Seedless AKA Marshall Law
- Any Love? by Robe
- Bookenka (The Adventurer) by Ancient Future
- Bring The World by Jessica Will
- Horizon by Yulara
- Speakeasy by Brent Goodbar
Publishing and Royalties
Publishing is the most valuable asset that artists own. Look at publishing as real estate: when you create a song, you are the owner of that property. You may sell the property, but you never give it away. If someone wants to use your property, then they must pay you rent for the use of it. The moment you create lyrics or music, you are the owner of that composition.
The four types of publishing royalties:
- Performance royalties
- Mechanical royalties
- Synchronization fees
- Print royalties
Performance Royalties are the royalties that artists receive for live or broadcast music. Anyone who broadcasts music, recorded, live, or in video form, has to pay a fee to use the licensed music. Examples would be radio stations, TV or cable stations, a nightclub with live shows, concert halls, airlines, or a jukebox at a local bar. In order to comply with U.S. copyright law, any establishment that plays copyrighted music is legally required to secure permission to use it.
Mechanical Royalties are paid by the record label from the sale of CDs, records, and online digital sales.
Synchronization Royalties refer to music is used in a timed synchronization with visual images. This includes music used in film, TV and cable, commercials, soundtracks, and video games. When a film or television show uses or reuses (reruns) music in the background or prominently, they have to pay a fee to the owner of the music. The fees vary widely with the usage and importance of the song.
Print Royalties are for sheet music, where a royalty is paid to the publisher for the use, and are roughly 20% of the retail price of a single song-sheet.
Call 1.877.252.2750 or email us to schedule a free 15-minute consultation.